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Kaleidoscope where glass: interpretations of Marge Piercy poems

by Marie Songer

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1.
I can make you doubt I can’t make you doubt ready set go, ready set who knows I can’t do it, you say it’s killing me, but you thrive, but you glow on the street like a neon raspberry I can’t do it, I can’t, you say it’s killing me. but you thrive, on the street you glow, on the street like a neon raspberry. I can make you doubt I can’t make you doubt ready set go, ready set who knows Blunt knives then sharp knives, blunt knives then sharp knives. go again, go again, thwack like rubber bands in an open palm it hurts to love it hurts to love wide open. Of grab, of clutch, it hurts to thwart the reflexes to love and let and go again, and again. Again, and again. it pesters to remember the lover who is not in bed to hold back what is owed, what is owed not in bed again and again, again and again.
2.
I am still trying to change you we are cut from the same cloth, you say, and what material I love you from my bones out, impulses rising far down in the molten core, in the moist I am still trying to change you we are cut from the same cloth, you say, and what material I love you from the center of my life pulsating like a storm on the sun shooting out arms I love you from the center like a storm on the sun shooting out arms of fire with power I am still trying to change you we are cut from the same cloth, you say, and what material
3.
Intruding 02:25
What are you doing up my cat complains as I come into room at two in the morning is making eyes, making eyes You are too near to my nest so let you believe you can catch and eat me lead me through the thorniest thickets uphill as it drags its apparently broken wing This is my lair this is my home my piss-post, my good brown blanket (voracious furnace of shrew darts in the grass like a truncated snake The price of seeing is silence.) My tongue is red as your blood I will spill if you do not run my tongue is red as your blood I will spill if you do not run wherever I march on two legs I’m walking a roof wherever I march on two legs I’m walking a roof The blue jay shrieks and the squirrels over my head chittering the blue jay shrieks and the squirrels over my head chittering on my arm a woodnymph lights probing curious, faint, as she opens and closes the tapestried doors of flight
4.
Alone small white flowers I find old fears preserved like hiking boots at the bottom of the closet my feet having shaped them just to perfect fit and eight years later I set off I become nocturnal, my eyes glow The moist rich parts of me contract What stands up is strong what stands up is strong the savory troubles, all ears and teeth. eyes alter us, by their observant gaze alone we are never the same after the self, the other, hanging the mirror at least innocent twigs snipped off the tree I touch myself often and then less as my dreams darken into stained glass state of my cats and they are neither in heat nor pregnant but predators, players sitting paws contemplate laws sitting paws contemplate mathematical laws
5.
Though I'm blind now and age has gutted me knotted up in a leather sack I have wrestled with an angel It happened near that well by Peniel where the water runs copper and cold even in drought, sore and dusty I was traveling my usual rounds wary of strange men Strange strange strange strange The angel struck me My dust-stained gristle of a body was pushed against him his fiery chest fell through me like a star Raw with bruises, my muscles sawing I thought that fighting could be like making love Then in the gray placental dawn I saw Said, I know you now on a tree of fire whatever you are whatever you are I’ve won a blessing from you From you, from you, from you My gifts have human faces hieroglyphs that command you with out yielding what they mean cast yourself and I will bless your cast till your bones are dice I am the demon of beginnings Get away from me, get away from me Get away from me, my old enemy my friend, my twin, my lover I trusted as the fish in the water
6.
How often have I leapt how often burned my hair wakened to weep ashes I have said, love is a downer love is a bastard Trembling mercury laying on waves in the highway to the full roaring furnace of sun at zenith year Come into the fire, come in. fire that burns the leaves the silver flame How often have I leapt Congress in slow motion put me back I found my body in Kaleidoscope where glass and woke in flesh alive I was hung of flesh my own five hound senses under a tar roof Dance through me as I through you here in the heart our cells are burning each a little furnace. this night the sun and moon dance with you and I dance in the fire of which we are the logs, the matches and the flames the matches and the flame
7.
Bursting their bags on our heads you give and give too much like summer days limp with heat thunderstorms as we salt and pickle and freeze Give to your red cross beg on the highroads please, take my zucchini zucchini tempura, creamed soup, sautéed with olive oil and cumin baked, marinated Get rid of old friends, they too have gardens and full trucks Look for newcomers, befriend them in the post office And thus the people did sacrifice themselves to the long green phallic god and eat and eat and eat and eat they’re coming they’re on us the silky babies the lumpy vast adults look for newcomers unload on them and run and run and run and run
8.
My blood tastes salty and rusty I sense death, death lurking like a feral dog Defeat, defeat, defeat New moon, no moon, old moon dying old moon dying This blood seeping as from weakness I feel summoning me summoning I might crawl, I might crawl into this pit here Defeat, defeat, defeat this pit here New moon, moon that gives no light no moon, moon that gives no light Wheels of the freight clacking by snow hisses on the windshield of the rental car the factory is still. The machines, the machines I lean on the cold wheel Stones breaking stones in the rearview mirror my dark eyes, holes a rat might hide in FBI binoculars lady it’s been worse, bad as the moon burning Tonight I honor you lady of the black moon here at the stone I learn my song at the stone I learn my song I have run twice as fast tunnel through the tunnel through night goes on and on night goes on and on (egg anonymous)

credits

released April 18, 2022

Produced by Marie Songer
Mixed by Dobeskorp
Album art by Janet Nelson

Song lyrics from THE MOON IS ALWAYS FEMALE by Marge Piercy.
Copyright ©1977, 1980 by Marge Piercy.
Published by Alfred A. Knopf.
Used by permission of Robin Straus Agency, Inc.

Special thanks to Covenauts, Izzy, Kelsey, Sebastian, and Roger.

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Marie Songer Bellingham, Washington

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